Frans Hals
1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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Frans Hals Portrait of a Man oil painting


Portrait of a Man
mk91 Oil on canvas 84.5x67
Painting ID::  34274 		Frans Hals
Portrait of a Man
mk91 Oil on canvas 84.5x67
   
   
     
Frans Hals Malle Babbe,die Hex von Harrlem oil painting


Malle Babbe,die Hex von Harrlem
mk92 1630 75x64cm Berlin Gemaldesammlung Staatliche Museen Preubischer Kulturbesitz
Painting ID::  34358 		Frans Hals
Malle Babbe,die Hex von Harrlem
mk92 1630 75x64cm Berlin Gemaldesammlung Staatliche Museen Preubischer Kulturbesitz
   
   
     
Frans Hals Peeckelbaering oil painting


Peeckelbaering
mk101 Oil on canvas 75x61.5cm Staatliche Museen,Kassel.
Painting ID::  35311 		Frans Hals
Peeckelbaering
mk101 Oil on canvas 75x61.5cm Staatliche Museen,Kassel.
   
   
     
Frans Hals Portrait of a man oil painting


Portrait of a man
mk150 c.1654/5 Canvas 108x79.5cm
Painting ID::  39688 		Frans Hals
Portrait of a man
mk150 c.1654/5 Canvas 108x79.5cm
   
   
     
Frans Hals Tieleman Roosterman oil painting


Tieleman Roosterman
mk150 1634 dated Canvas 117x87cm
Painting ID::  39689 		Frans Hals
Tieleman Roosterman
mk150 1634 dated Canvas 117x87cm
   
   
     
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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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